By Brendan Dooley

A bed Maker's Daughter richly illuminates the narrative of 2 humans whose mutual affection formed their very own lives and in many ways their instances. based on the Renaissance legend informed and retold around the centuries, a girl of questionable acceptance bamboozles a middle-aged warrior-prince into marrying her, and the kinfolk takes revenge. he's Don Giovanni de' Medici, son of the Florentine grand duke; she is Livia Vernazza, daughter of a Genoese artisan. They reside in luxurious for your time, faraway from Florence, and feature a baby. Then, Giovanni dies, the kin pounces upon the inheritance, and Livia is compelled to come back from riches to rags. files, together with long-lost love letters, demonstrate one other tale in the back of the legend, suppressed by means of the family members and forgotten. Brendan Dooley investigates this mostly untold tale one of the a variety of settings the place episodes happened, together with Florence, Genoa, and Venice.

In the process explaining their unbelievable liaison and its effects, A bed Maker's Daughter explores early glossy feelings, fabric tradition, heredity, absolutism, and non secular tensions on the crux of 1 of the nice adjustments in ecu tradition, society, and statecraft. Giovanni and Livia exemplify altering recommendations of affection and romance, new criteria of private and non-private behavior, and rising attitudes towards estate and legitimacy simply because the age of Renaissance humanism gave solution to the tradition of Counter-Reformation and early smooth Europe.

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Extra resources for A Mattress Maker's Daughter: The Renaissance Romance of Don Giovanni de' Medici and Livia Vernazza

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The whole army seemed to have become a sick hoard as the contagion spread back and forth between army and town, until there was no telling which was sicker. Typhus, as the modern diagnosticians later dubbed the disease then contaminating the streets of Antwerp, was supposedly incurable. Giovanni almost did not survive. Cinchona bark, the early fever remedy par excellence, ancestor of modern quinine, had not yet made its way to Europe from the Jesuits in Peru. Dr. Nunhes, the Portuguese physician, had his own quirky ideas: mild liquors taken orally and “warm pigeon blood applied to the head and feet”—to no avail.

55 With so little to show for himself except hopes and expectations, perhaps he felt somewhat overshadowed by the ever-╉productive Galileo, whom he had recommended for the post at Pisa in 1589. Perhaps he once relished the the family business 38 friendly disagreements and debates. His behavior suggests that as time went on the contradictions on matters of military architecture were becoming an embarrassment. Eventually there was a clash, but the details are only sparsely reported in the documents.

15 Did it occur to Giovanni that the same vein Florentine creativity so clearly delineated by Vasari in regard to the visual arts of the Quattrocento might be evident in the acoustic arts of his own time? The research into Greek music theory by Girolamo Mei and Galileo Galilei’s father Vincenzo may have seemed no less esoteric than the few speculative attempts to perform ancient music. But already as a toddler, he would have heard some of the more unusual sounds emanating from the so-╉called Florentine Camerata, a group of writers and musicians centered in the Bardi palace, including the same Vincenzo along with the singer-╉composer Giulio Caccini.

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